Redemption doesn’t come easily…
Now that his head is finally clear of Dionysus’ manipulation, Adonis is left with many regrets. Only Hermes knows where he is hiding or has any sympathy for his plight, but when the god goes missing, Adonis has to find a willing partner before his curse takes away his sanity and makes him into the very monster he barely escaped becoming months before.
Sage is a witch. What else could explain the strange abilities that manifested a few months ago? When she comes across a ritual to summon a mysterious lover, she’s far too intrigued to pass it up. Sage doesn’t actually expect it to work—until a sexy satyr emerges from the trees and enters her summoning circle, and all her wildest fantasies seem to be coming true—except he won’t touch her.
Passion and pride clash as the extent of Pan’s curse becomes clear, and Adonis is reluctant to let Sage leave his side until Hermes or a better solution is found. Elsewhere, another satyr seeks revenge, and chaos is unleashed on Savannah in the days leading up to Halloween. When the dead walk, can a satyr forsaken by both Satyroi factions be the key to saving the city? What’s more…can he save himself, or will it take a young woman more stubborn than Adonis to set him free?
Find and Follow Rebekah Lewis!
From the creators of the #1 bestselling horror anthology Nightmareland, the follow up to the #1 bestseller Dark Visions, and the #1 bestseller The Box Under The Bed comes a new collection for your darker tastes:
Spellbound – a horror anthology with 27 stories from 16 authors
* A young man is given a family heirloom at his mother’s funeral, but her protection can’t save him from himself.
* A sailing ship takes a journey to the new world and discovers horrors along the way.
* A young girl seeks a connection with her parents but learns she isn’t magical enough.
* And many more!
Spellbound will take you into the shadowy world of the eerie and macabre, with heart stopping stories from:
USA Today bestselling author Dan Alatorre (The Gamma Sequence)
award-winning bestselling author Roberta Eaton Cheadle (Through The Nethergate)
award-winning bestselling author Ellen Best
award-winning bestselling author Alana Turner
award-winning bestselling author Christine Valentor
award-winning bestselling author Nick Vossen (The Eldritch Twins)
award-winning bestselling author Anne Marie Andrus (Monsters & Angels)
award-winning bestselling author Adele Marie Park
award-winning bestselling author MD Walker
award-winning bestselling author Dabney Farmer
award-winning bestselling author M J Mallon (The Curse of Time, book 1: Bloodstone)
award-winning bestselling author Ernesto San Giacomo
award-winning bestselling author Betty Valentine (A Twist Of Starlight)
award-winning bestselling author Geoff LePard (The Harry Spittle Sagas)
award-winning bestselling author Frank Parker
award-winning bestselling author Joanne R Larner (Richard Liveth Yet)
Perfect for Halloween or any time, these stories will make you think twice before borrowing a book, giving away jewelry, looking into a mirror, or going out on a moonlit night.
CONSIDER YOURSELF WARNED!
Happy Halloween Horror Lovers!
From the creators of the #1 bestseller The Box Under The Bed horror anthology and its #1 bestseller sequel Dark Visions, comes Nightmareland . . .
A horror anthology with 23 stories from 14 authors!
In a rundown shack deep in the woods, a high school girl dares herself to try the strange new drug all the kids are talking about. One injection of “Nightmareland” is all it takes to unleash a person’s biggest fears to them – and then they are on their own! But rebellious Jessica thinks she will prove herself to her peers and parents.
Tremble along as she is strapped into the chair and becomes a lost child on a Florida party island, an investigator looking into a circus’ bizarre side shows, an abused prisoner locked away in a desolate concrete cell, and much more as Jessica faces the most terrifying ride of her young life.
Compiled by USA Today bestselling author Dan Alatorre, this anthology of horror once again unites the minds and pens of more than a dozen amazing authors.
Nightmareland will send you into the foggy twilight of the eerie and macabre, with heart stopping stories from:
USA Today bestselling author Dan Alatorre (The Navigators),
award-winning bestselling author Robbie Cheadle
award-winning bestselling author Ellen Best
award-winning author Kaye Booth
award-winning bestselling author Betty Valentine
award-winning bestselling author Alana Turner
award-winning bestselling author Christine Valentor
award-winning bestselling author Nick Vossen
award-winning bestselling author Alana Turner
award-winning bestselling author Victoria Clapton
award-winning bestselling author Anne Marie Andrus
award-winning bestselling author Adele Marie Park
award-winning bestselling author Barbara Anne Helberg
award-winning bestselling author MD Walker
award-winning bestselling author Dabney Farmer
award-winning bestselling author M J Mallon
Perfect for Halloween or any time, these stories will make you think twice before spending the night alone, watching TV with family, or even going on a casual boat ride.
CONSIDER YOURSELF WARNED!!
Under The Square
Anne Marie Andrus
chicory, humidity, decadence
Trickles of murky water danced between shadows and fractures on the underground wall. Flickering candles twisted wilted blooms and innocent stone angels into a jungle of goblins.
“If you’re still fussing, you should have started earlier.” A redheaded vampire flashed through the arched doorway and scowled at his watch. “This space will never be anything but a tomb disguised as a fancy courtyard.”
“Like the desolate streets above us, masquerading as our city?” A man in a tuxedo slicked his mohawk straight up and adjusted his bow tie. “I thought you said rebirth was near, Mister Steven.”
“It’s so close, I can taste it. You’ve followed my instructions to the final detail?”
“Haven’t I always, sir?”
“As much as humanly possible, I guess.” Steven pointed to a steaming carafe. “Pour.”
The man’s shoulders slumped. “What am I now, your waiter?”
“I didn’t mean…that came out all wrong. Pour me a taste, Zachary. Pretty please.” Silence and a smirk followed his lingering sip. “Ah, silky smooth with a viper’s bite.”
“One coffee blunder was humiliating enough.” Zachary tipped his chin in the air. “That other swill tasted like it was blended with the ashes of the dead.”
“Sure wasn’t chicory.” Steven shuddered. “Ick.”
“Don’t worry. The tool who sold it to me, is at the bottom of the river.”
Steven planted one hand on his hip. “So, where did this brew come from?”
“Cross’ the lake.”
“Hope you’re taking my bodyguards when you leave the French Quarter.”
“So much gloom, even your soldiers can’t tell where the safe zone ends and enemy territory begins anymore. Sun hasn’t come out in years.”
“Yet, the dreadful humidity remains. Just to remind us we’re home.” Steven snapped the cuffs of his dress shirt. He inspected the linen tablecloths, uncovered serving dishes, smiled at the scent of peppermint and turned his nose up at licorice. “My chocolate?”
“All your favorites.” Zachary bowed in front of the dessert tower. “Amaretto, raspberry, almond hazelnut…but, the hazelnut still sucks.” He tapped the artery in his neck. “How bout’ a taste of this?”
“Later. Be available,” Steven said. “Eat a little cinnamon.”
“You…are damn bossy.”
Steven waggled his finger. “Leaders delegate, Zach.”
“Oh well, excuse me.” Zachary plucked a sugar cube from the pristine buffet and dropped it on his tongue. “Will it be the usual guest list tonight?”
“Yes, and I’m sure you’ll hate them all.”
“They turn the room frigid. Swear I can see my breath.” Zachary pointed to the fountain. “Your snooty, light-up water feature was frozen solid after last week’s festivities.”
“There’s a method to my madness. We’ll need the allegiance of all the coven leaders, from every corner of the globe—even the villains—to take back New Orleans.”
“Hmph.” Zachary crossed his arms. “Bastards do seem impressed. You’re still the king of decadence, like in the old days.”
“Just wait for the new days.” Steven leaned over the pastel bubbles and watched glittery fish spinning in circles. “When our family is back in power, all this melancholy will be a distant memory.”
“What about that man with the sapphire eyes?”
“You mean the warrior?” Steven sighed dramatically.
“He’s more than politics to you, isn’t he?”
“Is that a hint of green demon I hear in your voice?”
“After so many years of us…” Zachary shuffled his feet and stared at the fish. “Never mind.”
“His fire, his army—that blood.” Steven spun and pumped his fists. “The warrior is our savior. He holds the keys to an empire.”
Zachary stepped back, but not in time to avoid Steven patting his cheek as if he were a petulant child.
“My empire.” Steven flashed back through the arch. “All mine.”
This story was originally written for the “3 Word Challenge” on the blog Bonnywood Manor, home of fabulous writer and friend Brian Lageose.
Check him out!
TWO BEST FRIENDS ARE BARISTAS
A crooked little coffin-shaped sign hung rather creepily and just a bit off-center, somewhat hidden beneath eerie Spanish moss from an ancient tree that draped over a tiny coffee shop where cemetery workers and the occasional mourner would stop in after passing time in the famous Southern graveyard that was just a few yards across the street.
Delia adjusted her purple work shirt that sported their shop’s unique logo. The owners of the shop were two best friends, “Miss Charlotte” and “Miss Cordelia”, and they had hand drawn themselves the symbol of a tiny tomb upon which a tiny coffee cup sat. Above this, in silken threads, the name of their shop, the words Burial Grounds were embroidered on the left shoulder. The concept of the shop had been the brainchild of her best friend, Lottie and had somehow taken their after-college plot of turning a mountain (unemployment) into a more manageable molehill, (becoming entrepreneurs!) with some quick thinking and a few old Southern recipes. The two best friends combined their attributes and somehow had managed to stay out of the red in their first year of business. The shop provided everything that after-funeral crowds might need: water, coffee, teas, pastries, biscotti, bagels and breads, panini and fruit, as well as tasteful cemetery souvenirs such as photography coffee table books of the cemetery that the tourists were just gaga for. Just recently they had also added a very small lunch menu so that the groundskeepers and out-of-town visitors (here to see the book-and-movie-famous gothic nuances that lay by the river just across the way) might be tempted to drop in during the noon hours. A late sleeper, Lottie came in most days after lunch, to prepare the next day’s soups, and sandwich fixings while Delia took great delight in early-hour baking and the opening of the storefront doors each morning.
On this stifling September day in Savannah, Delia was hoping to inspire a few customers into trying her new recipe for Pumpkin bread. As she switched on a coffee pot, she peered out the rippled glass pane of the old storefront. An Autumn fragrance called “Something Wicked” filled the small dining area that was dotted with small black café tables and chairs the girls had found and refurbished from the flea market. The dining area possessed a slightly witchy aura in a Practical Magic sort of way. Delia suddenly observed that a rickety, white-haired, very tall, hat-wearing gentlemen (whom she immediately secretly named “Papa Justify”, she had heard that creepy name in another movie once) was slowly making his way inside from the empty parking lot. She was unsure of where he came from, but it seemed awfully hot for a man of his years to be out and about, walking around alone in the September heat at 10:30 in the morning.
The man creakily made his way to the counter, his loveless face was daunting in the bright morning light, but Delia stood ready to take his order, despite his frightful countenance. Holding a pad, and slightly biting the eraser at the end of a pencil, Delia smiled and said, “Good morning, Sir. What can I get for you?”
He leaned his ghoulish face towards Delia, his large teeth protruding from his thinly-veiled face and replied.” I would love a large cup of coffee, black, and 2 of your old-fashioned tea cakes, please”.
Delia carefully wrapped the two sweets in a glycine treat bag, then poured freshly-brewed liquid glory into the recyclable-yet-insulated to-go cup, it was an aromatic and steaming brew. She dribbled a rich, dark splash onto one of her sneakers as she placed the carafe back on the burner.
The customer appeared to be delighted, thanking Delia as he took his purchases, and left a twenty on the counter. “Keep the change, doll”, he whispered. A shiver ran up Delia’s arms.
It was then that Delia heard a key turning the lock in the back door of the shop. “Lottie, quick! Come here!” Delia called. Delia turned her back to the window that looked over the parking lot just for a moment, motioning to her friend to hurry and observe the unusual customer who had just left. Delia had never seen anyone like him before in her life. Lottie sat down her purse, and quickly was standing by Delia’s side. As they both looked across the parking lot, no one was there. Had the small tourist bus silently picked him up without their hearing it? Surely, he couldn’t have walked completely out of sight in that short amount of time.
Back to the business at hand, the phone rang, orders were placed and work demanded the two friends’ attention and soon the entire morning had flown by. Now the girls were both busy packing up 15 box lunches which they had promised to deliver over to the Cemetery Visitor’s Center across the street by 1 pm. Lottie stayed behind at the store making up a fresh batch of pimento cheese and Delia walked over with a large cardboard box filled with the smaller box lunches, and cold drinks to give to Mrs. McGuire, the docent. She told Delia they were having a Civil War reading near the war monuments later today with guest speakers and so the workers wouldn’t have time to go out to get their lunch. The coffee shop was happy to oblige them. The Visitor’s Center tipped quite nicely.
As the sun pelted down upon the shell-lined pathways, and the hushed Spanish moss gently swayed, swishing ominously throughout the bent and gnarled limbs of the ancient trees, Delia walked past graves and headstones, and statuesque obelisks, headed away from the old grey house that now was designated as the Visitor’s center, and on back towards the shop. Thinking what a lovely blue sky hugged from above, Delia was taken aback as she noticed that someone had thoughtlessly littered the beautiful resting grounds. An abandoned coffee cup sat upon an ornate rock headstone. Intending to clean the trash up herself, she reached to grab the debris, and was taken aback to see that both the sack and coffee cup were imprinted with a little symbol, the coffee shop logo symbol, and the words starkly stated Burial Grounds captured in a sickly red ink made her gasp. A glycine treat bag was also crumpled up with the paper sack, and these were laying over the grassy and sandy grave of a man who had mysteriously died in 1832. His name…Jasper Justify Jacquemin.
This is the precise moment when Delia decided that this would be a good time to lay off the caffeine.
Behind the Scenes at the Theater
September 20, 2019
Words: loneliness, applaud, beg, jogging, memorize, admit, solitude, converse, eternity, marsh
October is just around the corner and all the coffee shops have already busted out all the fall flavors. Outside the air stirs, still warm but with the occasional chilly draft. The fall equinox is only a few days away. Alex is excited for the change and ready to let go of this dreadful summer haze.
The summer had been awful. Loneliness had been his constant companion; he’d been unemployed; a small-town wannabe actor freshly moved to the big city looking for acting work. He’d had a hell of a rough time, unable to join in with the rest of the city as everyone cherished those precious few weeks of perfect weather.
But then, right at the end of summer, last week, things finally improved: he got a job. Not just any job. He was finally invited to join one the most successful theater companies in the city, Elysium Theatre, and a role in their current award-winning production, The Last Victim.
Today is his first day. During his interview he already decided he loved the company. He’d met most of the actors and the stage crew, although of course he didn’t even lay eyes on the main actors. The big shots were just way too important and busy to ever hang out with the main company. They hardly come out to rehearsals, Alex learned to his disappointment, although he wasn’t surprised. He had especially wanted to meet Ben Morgan, the lead actor in the play, who had been Alex’s inspiration to become an actor, and his motivation to join this particular theater company. But Alex is thrilled nonetheless—he might not even see him, but he’s going to be in a freaking play with his hero!
Alex is the first one in. He came jogging from his studio apartment; he was too excited to sit still. He didn’t know what time everyone comes in to the rehearsals, so he chose to arrive an hour early, to be safe. Inside the designated auditorium, some lights are on but there’s no one around. He sits on a chair in the front row.
“Hello,” he hears a voice above him.
He looks up and sees—Ben Morgan? Holy crap!
“Hi, Mr. Morgan,” he stammers.
“Please, dude. Call me Ben.” Ben descends a metal ladder that’s propped against the lighting platform above the stage where he had apparently been, doing who knows what in solitude. About halfway down he jumps off and lands with uncanny grace on the stage. He sits on the ledge, right across from Alex’s chair.
“Right. Ben. I’m Alex. I’m new. I’m playing the banker, the smallest part, I know, barely two lines, but just the fact that I’m in this company, wow, I’m so excited and humbled. And to have my one scene be with you—well, the young version of Caleb, that’s, well, just, incredible.” Wow. Halfway through that logorrhea Alex knew he should stop talking, but he was so nervous that he just kept babbling on. He takes a breath to steady himself because he feels like he wants to talk some more to apologize, or to explain himself, or just to fill the silence, but he decides it might just be best to never speak again.
Ben is looking at him strangely. In his eyes there is a mixture of pity and humor. “Well, Alex, nice to meet you. But let me correct you, so you don’t go around spreading false statements.”
“Huh? What do y—”
“The banker. He’s not the smallest part. He may have only two lines, but he’s one of the most important characters in the story. He’s the pivotal person in Caleb’s life; the one who changes the course of Caleb’s whole life, when he says those two lines.”
Speechless, Alex can’t reply with words other than reciting the lines he’d already memorized, in a half whisper. “ ‘Young man, I’ve been watching you. I believe I know someone who might be quite excited to meet you.’ ”
“Aha.” Ben holds his index finger up and displays a dazzling smile. “And who did the banker mean by someone?”
“The benefactor. Mr. Lawrence.”
“Yes. And Lawrence changed Caleb’s life,” Ben reminds him. “Had it not been for the banker, Caleb wouldn’t have met Lawrence, and he wouldn’t have risen to where he did.”
“I guess,” Alex stammers.
Ben cocks his head to the side as if considering the young nobody before him. “Did you know that The Last Victim is based on a real-life story?”
“No, I didn’t,” Alex has to admit.
“My character, Caleb, is based on a young man who lived in the 50’s. His name was Charles, and he was an orphan. Just like in the play, Charles struggled in life, had many afflictions; and on one particularly bad day, having almost given up hope, he met the banker. The banker saw past the unfortunate circumstances that plagued Charles and saw only his beauty. He introduced him to his wealthy acquaintance, believing this acquaintance would be interested in Charles. And he was right. The wealthy friend took an instant liking to Charles and became his benefactor. We all know what happens next.” Ben pauses for effect, then he narrows his eyes and smiles that knowing smile of his. “But here is where the play differs drastically from the real story. In the play, Caleb goes back to his hometown as a wealthy man, and he purges the men who spurned him as an orphan, right? But in real life, Charles went back to his hometown, alright… but he killed those men.”
“What?” Alex’s face puckers in disbelief. “Just for mocking him?” In the play, one of the things young Caleb struggles with is being bullied by a few older boys that he works with. Later after he’s rich, he has them convicted and put in jail.
“They did more than mock him,” Ben explains. “They beat him up so bad, he couldn’t defend himself. He couldn’t even beg for his life. They left him for dead in the marsh where they worked. But he lived, he healed, and he persisted. He quit that job, went to a bank to borrow money to start a business. He met the banker. His life changed. And later when he was powerful, he went back and got his revenge.”
“Is that true?” Alex asks, unease creeping up his spine. “And he killed them?”
“Yes,” is Ben’s smart reply.
“But how did he do it?” Alex doesn’t really want to believe the supposed real version of the story, so his words are partially laced with disbelief. He doesn’t know where Ben is going with this, but it sounds like the guy wants to tell this story, so might as well ask him.
“I mean, how did he manage it? There were three of them and one of him.”
“There were eight of them and one of him.” Ben drops that in a deadpan voice. “In real life,” he adds.
Alex begins to get a weird vibe. Is Ben messing with him, or what? “So he paid people to do it, or…?”
“Alex, what the popular version of the story which we act out every night fails to mention is… the so-called benefactor, Lawrence, who in real life was named Lehmann, was actually a powerful vampire who fell in love with his intended victim, the little orphan boy that his banker friend brought to him as a gift. The vampire bestowed the gift of immortality on the young Charles. Not right away. Lehmann saw young Charles as a little pet; well, a pet that you have an intimate relationship with. But after some time he turned him into a vampire. And just like Caleb returns to his hometown as an adult in the play, Charles returned as an adult, albeit a vampire one, and had fun getting his revenge.”
Alex realizes his mouth is hanging open and quickly closes it. Ben is obviously joking, but he sounds so serious, Alex doesn’t know how best to reply. He looks at Ben expecting the face to reveal the butt end of the joke, or some clue as to why he’s hearing this fictional story from one of the most renowned actors in modern theater, but the man remains as serious as if he was retelling a news story from last week. Alex decides to play along. He never dreamed he’d converse like this with Ben Morgan on his first day; might as well roll with it.
“Wow, um. So, how do you know all this?”
“I play Caleb. It’s my job to know his character well, inside and out; what is written in the play, and what is not written.”
“Okay,” Alex says, frustrated with the lack of answers and not exactly knowing how he should react to Ben’s story. “Well, if Charles was a vampire, did he even die, like Caleb?”
The Last Victim is named so in reference to the main character, Caleb. After becoming rich and using his power and influence to get his revenge, his decisions gradually cross into the gray area of questionable judgment. Not being particularly trained in morality or ethics, and being quite young, he chooses to bestow assistance to people or deal punishment as his whims dictate. In the end, one particular bad decision puts the life of another young boy in peril; and Caleb, finally seeing his folly, dies tragically in a fire to save the boy, who reminds him of his former innocent self, in a gallant attempt to redeem himself. Thus, he is his own “last victim”.
“A vampire would’ve survived that fire,” Alex challenges. “He would’ve been fast enough to save the boy and save himself.”
Ben’s expression changes and his voice fills with sorrow. “He did perish in the fire. He started it, and both him and the innocent boy died in it. The boy never made it out. Charles didn’t save him. He watched as the smoke claimed the boy and had no remorse. It was Lehmann who killed Charles, finally realizing he had lost control of his little pet. So you see, Charles didn’t die in the fire like Caleb did in the play, but he equally died because of it.”
Alex, temporarily forgetting this story can’t possibly be real, feels awful for the little boy who didn’t make it out of the fire. The play, despite being a tragedy, is generally liked because this one sweet innocent unnamed kid is saved.
“So it was all a lie?” he demands. “Saving the boy, Caleb’s sacrifice?”
Ben shrugs dejectedly. “The writer didn’t like the ending, so he wrote a different one.”
“Well, he shouldn’t have,” Alex says a bit angrily. “Everyone thinks Caleb was this great tragic hero. They all applaud him, and he was an asshole.”
“He was an asshole, but Lehmann loved him. He had turned Charles into a vampire because he wanted to spend an eternity with him. Lehmann felt guilty, thinking he should’ve taught Charles better, guided him better.” He sighs. “It was Lehmann who wrote the story.”
“Wait, what? Lehmann—Lawrence? He’s the author?” Alex tries to remember the writer’s name. He can think of the playwright, but not the original author.
“Wait.” The author of a real play and the vampire in a fictional story clashing in his confused brain is too much for Alex at the moment. He covers his eyes with a hand, trying to reassess. Of all the things that don’t make sense, the one question that comes out is, “How do you know all this?”
He asked the same question earlier, but in a whole different frame of mind. Disbelief back then, mostly. This time, he wants to know. This time is different.
This time, Ben replies honestly.
He looks into Alex’s eyes, deep into his soul, it feels like. And Alex immediately knows. It’s all true.
“Would you like to know … more?” Ben Morgan hops off the stage and extends his hand down to Alex.
Alex takes the offered hand.
“I would love to.”
Find and Follow Johi Jenkins
A New Love Blooms in Old Age
I walked the dusty path that led to the family cemetery located beneath some spindly old cedar trees on the expansive property of the looming Eirewood Plantation. On my way, I stopped to eat a few of the tart bitter blackberries growing there and pondered on how I’d come to such a quiet place.
The sprawling white Greek Revival sat imposing in the sunlight. The tall, thick columns stood stately, supporting the two story gargantuan house while the rocking chairs on the front porch silently invited someone to relax and rock a spell,taking in the beauty of the Southern landscape. Though I had trekked some distance from the house, I could still see the majesty of the house patiently waiting for something, or maybe someone. It’s empty loneliness bothered me very little. At first sight, I was overcome with the feeling of having always been here, having belonged. Whatever the reason, this home was not alone anymore.
Three weeks ago, I received a letter in the mail requesting my presence at McAllister and McAllister Law Firm to claim an inheritance from an anonymous benefactor.
Upon meeting with them, Misters McAllister and McAllister led me to a polished long cherry table in what must have once been the dining room in the old Victorian house they’d converted into their law firm, and there over tall glasses of ice tea, they informed me that I’d inherited the two hundred year old house and the surrounding land that made up Eirewood Plantation from an absolute stranger. Despite my fervent attempt to refuse such a preposterous gift, the McAllisters presented me with the deed, already in my name, and bid me to have a good day.
Now, I stood somewhere between the hulking house and the graveyard filled with crumbling tombs all sporting the name “O’ Brady”, trying to figure out what I was going to do with this unasked for and unusual gift. Unaffected by my presence, a large, husky squirrel bounced from one oak tree to the next as if rejoicing at my arrival.
For a spring afternoon, it was a bit chilly beneath the shade of the trees, and just like the house, this piece of land had a feeling of waiting. A solitary rusted out shovel discarded by the old stone wall surrounding the graves solidified the feeling of a space frozen in time.
“Welcome to Eirewood, Ms. Endicott.” From behind one of the twisted oaks, stepped a nice-looking gentleman wearing light pants, a blue cutaway coat and holding a top hat that he’d just removed from his head in his hands.His cream colored silk cravat accentuated his dapper look. “I’ve been waiting for you to return.”
Startled by his unannounced presence, I took a step back from him but not before I noticed his uniquely light colored eyes. The color of frozen ice, just barely blue, they were visible even in the dappled afternoon light.
“Thank you. Wait, return? I’m sorry, Sir, but I have never been here,” I insisted then introduced myself. “You may call me Eilene I have recently acquired Eirewood Plantation, so I’ve come to see what it’s all about.”
The man moved closer to me. His handsome looks struck a chord in my heart, a memory I couldn’t quite grasp, even if his clothing and manners were two hundred years out-of-date. Perhaps he was here for one of those reenactments I’d heard about history buffs having. Either way, something about his demeanor drew me towards him. My fingers tingled, itching to reach out and touch this mysterious stranger.
“Eilene,” He said my name slowly as if he was savoring his favorite sound. “Then you may call me Jonathan. I’m Jonathan O’Brady.”
“O’Brady?” I recalled the names on the tombstones just behind Jonathan, and the hair on the back of my neck stood on end. The intensity he watched me with was unnerving and somewhat alluring. There was just something about him, something I couldn’t exactly put my finger on. “Jonathan, are you kin to the people who owned this house? Do you know why the previous owners would leave it to me?”
“You kept your promise,” was his reply. “You vowed that you’d return, that not even death could keep us apart.”
My heart sped up as I processed this stranger’s words. “You have me confused with someone else.”
“Oh?” Jonathan offered his hand to me. “Then let me show you, my love.”
I should have ran off, gotten away as fast I could and called the cops on this crazy anachronistic man. Instead, without any hesitation at all, I rested my hand in the crook of his offered arm and allowed him to guide me back into the shaded cemetery. We weaved around graves, one O’Brady after another, until we reached a battered Celtic cross. At the base was the epitaphs and memories of two.
Eilene O’Brady Jonathan O’Brady
Born April 30, 1832 Born November 1 1825
Died May 14 1862 Died May 14 1862
Something in my subconscious stirred, awakening memories of someone else’s life, promises made by a woman I was not. I should have fled. I should have gotten away as fast as I could. I didn’t know what this man was trying to pull, but I wanted no part of it.
Then I made the mistake of looking up from the tomb into Jonathan’s love-filled eyes. Within their pale depths, I saw that he, too, had been waiting. Just like the house and this land, he had been waiting for his love from an old age long gone to begin again-new.
Find and Follow Victoria Clapton
A lone soldier on night watch. A single bullet through the heart. Every light in Paris flickers—the city’s thundering silent scream.
When Commander Raimond Banitierre was assassinated, French Revolutionaries lost their gallant leader. After a villain’s offer of eternal life condemned him to slavery, Raimond rebelled again, driving his vampire comrades to freedom.
Raimond escapes to Savannah, Georgia where his dream of becoming a doctor comes true. During his trial-by-fire residency on the Civil War’s battlefields, he discovers his true calling—the power to preserve memories and dignity in the face of death. His chance meeting with a beguiling mortal nurse ignites passionate nights and a long overdue crack in the door to paradise.
Vicious flames and an unholy miscalculation deliver Raimond back to the depths of hell. Being arrested for treason makes him wish for death and the arrival of Prince Draven Norman appears to be the final nail in Raimond’s coffin. Will the prince’s eccentric judgement grant Raimond a true reprieve? Is Draven’s invitation to join New Orleans mystical royalty an extension of his own treachery, or the next step in Raimond’s miraculous journey?
Has the legendary Crescent City found a spirit noble enough to protect her future?
Driven by tragedy to honor her family name, Sorcha embarks on a journey that takes her from the bleak but familiar streets of New York, through the sultry and seductive city of New Orleans, and into the brutal jungles of Nepal. Forging friendships and carrying on her mother’s mission of healing was her dream. Plunging into a love affair with the mysterious Dr. Ashayle, could have been a fairytale.
Being murdered and waking up as a blood-thirsty monster—became her living nightmare.
Torn away from a life that had just begun, Sorcha returns to New Orleans as a newborn vampire, forced to start over in a cutthroat underworld of devilry and decadence. Complicated politics, bitter rivals and jealous ancestors stand between her and the promises she’s still determined to keep.
In a realm where the boundary between good and evil is as murky as the Mississippi River and immortal does not mean invincible, will Sorcha ever risk her shattered heart and love again? Can the magical harmony of the Crescent City give her enough courage to fulfill her eternal destiny?
Sorcha’s final word will make your jaw drop!
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From the #1 Best-Selling Horror Anthology, Dark Visions, comes Excavation Murder from award-winning author, Victoria Clapton!
Without a word we followed Eugene down into the darkness as the cellar doors closed behind us. We were forced to creep in the silent oppression, listening only to the sounds of our racing hearts and ragged breaths while smelling what surely was the awful, unmistakable scent of death. Along the way, I had begun to beat myself up for not having the foresight to put a stop to this charade earlier. We should never have followed him down to this pit. I’d had a bad feeling from the beginning, and now, we were underground in the middle of nowhere, walking into what I imagined would be a horrific death. I opened my mouth to shut this mission down. For the first time ever, I did not care what waited in the unknown. I did not even care if my suspicions were unfounded. “It’s time we…”
“We’re here.” Eugene’s excitement filled the cold space. “This isn’t the way I’d hope you’d discover my treasure trove, but, Ally, I’m so glad it is you. I’d always hoped your parents could come here. But alas, they were the ones who got away. Not you, Ally. I knew I could depend on you.”
Darkness thickened around us, and I fought an urge to tell my crew that I was sorry, though I didn’t know for what, when Eugene struck a match and lit a couple of old oil lanterns, casting an eerie, dull light around a large chamber illuminating an unimaginable sight…
I know you’re intrigued!
If you liked Excavation Murder, you’ll love Victoria’s Clapton’s work!
I am a huge fan of The Binding Series!